If you could take lessons anywhere in the world, from anyone...
alive or dead, whom would pick? Why would you choose that particular master? What does/did this person have to offer? Whether or not you have good answers to the previous questions, you should explore your goals before deciding on a school and/or teacher. To figure out your goals, you need to examine your motivation. Why are you really interested in taking lessons? Are you concerned for your safety on the streets? Are you looking for a new sport? Has anyone ever hassled you, and you've decided that you don't like the fear that you feel in your stomach and throat? Are you looking for a way to get in shape?
Note: If you are feeling that fear, and you feel that you need to gain confidence now, you should definitely read my book on Wrist Locks. If you could drop an attacker with one hand, WITHOUT hitting him (or her), you'd feel confident, wouldn't you? OK, enough advertising--I feel a touch of guilt for having inserted this little ad, but if you want to read more about Wrist Locks: From Protecting Yourself to Becoming an Expert, click here now. Otherwise, let's get back to finding a great school for you.
Your true driving force should help you to decide which style to pursue. if you just want some basics, maybe a limited-time course (like eight weeks at a community center) would suffice. If you are about to embark on the journey of developing a skill that will help you for the rest of your life, then you need a more serious martial art.
Jun Fan Jeet Kune Do and some of the Filipino arts are examples of styles that could potentially be too violent for a proper competition.The eye jabs, groin kicks, shin scrapes, choke holds, etc. are too integral to some of these styles to have them eliminated in a competition. Tournaments that rule no kicking below the waist, no hitting to the head, etc. wouldn't work for these more modern arts.
Note: the JFJKD Nucleus has talked about setting up rules and guidelines in the future for tournaments for their folk. We'll see what happens.
On the other hand, some of the competitions out there allow too much brutality to be considered a sport. Maybe I have just the right level of testosterone in my body, because I have never felt the urge to compete in a truly violent match. I have family to enjoy. I don't want to jeopardize anything by having someone rattle my brains (or my body) in the ring. For me, it's not worth it.
Note: There is a difference between bad-mouthing and teaching tactics against a particular style. I give my students "hints" all of the time. "This is how to take a Tae Kwon Do roundhouse-kick.... Notice how this Karate style telegraphs this particular move.... " You get the idea. I'm trying to give my students an advantage. That's why they take lessons from me.
So, how do you separate gossip from the truth. This is a hard one. For example. in my city there are several very prominent Tae Kwon Do schools. One school is considered a joke by all other schools in the area, but because of its central location it gets a lot of business.
If you don't know anything about Tae Kwon Do, you'd probably have a hard time telling the schools apart. But there is a big difference in the power that the schools' students can generate with their techniques. The difference in the precision of the techniques would only be visible to the trained eye. (Maybe I should take that back; personally, I don't do or teach Tae Kwon Do, but even my lower-belted students can see something lacking from this particular school.)
Say you haven't studied with me for a year or two. You haven't learned to tell good from bad when it comes to martial arts. You feel that it's particularly hard if you're trying to compare apples with oranges--or two completely different styles. So, what do you do?
Either get someone with a trained eye to help (Note: your expert will probably have a particular bias. Keep that in mind), or research the reputation of each school on your own. Ask around. Call your local better business bureau. Watch several classes at each school. Get a feeling for what each has to offer. Go where you're comfortable.
Could you ask present students of the school? Sometimes, it's helpful to find a "lapsed" student. Find out why he or she quit. Do take what people say with a grain of salt. But also listen for similar comments. For example, if all of the students think that the teacher is way too aggressive, it may be a factor that you have to seriously consider.
To compare, you could figure out the cost per lesson. Maybe a cost per hour would be a more accurate gauge. Are you going to compare facilities? Does it matter to you whether your training area is a slick dojo or a run down garage? Or should the fee be based on the quality of the teacher?
For example, I might ask "Is this school's fee within my budget?" If one school charges $50 a month and another $75, I might give the $50 school a score of "5" on price and give the $75 school a score of "2."
If I were to have a question about the distance of the school from home, the school closest to home would get a "5," and the one furthest away a "1."
Sometimes, I assign a higher value to more important questions. For example, the choice of style is three times as important to me, as the other questions, so I would assign a maximum score of "15" to that one question.
After you answer each question for each possible school, tally up the scores. If you have a strong win, you have your school. You made a logical choice.
If some scores are close, then you have to make a decision. You could go with your gut feeling. Which of your high-scoring schools "feels right"? Where could you imagine yourself studying?
Instead of trusting your instincts, you could add more questions to your list. You might break a question into several more specific ones. You could "weight" your questions differently; assign different point values to different questions.
You could base your decision solely on one criterion. Maybe you'll go with the school that has the potential to make you the better martial artist. What criterion is important to you? What will be the deciding factor?
On the other hand, don't be a school hopper. I can almost pick the students who won't stick it out. Eventually, if you want to get good, you'll have to find somewhere where you're comfortable. How else are you going to get into the more advanced techniques?
Good luck finding your school!
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