by Keith Pascal
Did you know that in a lot of martial arts schools,
students tend to imitate their teacher?
Imitating the teacher can be good for the students. It
can also be detrimental to their learning process.
If you are the teacher, and you have a devastatingly
fast punch, then your students use your punch as their
model. The closer they come to copying the speed and
precision of your punch, the better they will become.
This type of imitation is good. And it's a necessary
part of learning.
On the other hand, if your students avoid certain
techniques, because you do, then you could be hindering
their progress. A lot of good techniques have been
discarded, because of teacher or student bias.
Let me give you an example:
Long ago, my teacher, Steve Golden, taught us how to
take a knife thrust to the midsection. The attacker,
your partner, would thrust, and you responded with a
pat on his wrist or arm that guided the knife hand past
your body, while you kicked at your attacker.
We practiced. We got the timing down. We picked our
targets for our kick.
We developed follow-up moves.
Yet, over the years, I dropped the exercise from my
repertoire. I decided not to teach it to my students,
because it felt like a dangerous move:
* What if the attacker pulled the blade back,
slicing your wrist?
* What if you tried to guide the hand, and your
timing was off, so you put your hand right
on the blade?
* What if the attacker hadn't committed to
the thrust and was able to stab at your kick
with the knife?
Nope, this was not the move for me ... or my students.
The Move Modified
Then a couple of summers ago, the 'Golden Buddies' got
together for a little summer training.
During one afternoon of our 3-day outing, we started
practicing against knife attacks. And wouldn't you know
it, we practiced the move that I had discarded years before.
I was a little less than enthusiastic about this exercise.
So, I decided just to watch the other teachers and their
students practice.
From the sidelines, I made several observations:
1) The other teachers weren't enthusiastic
about this technique either.
2) Some of the teachers had great kicks ...
and their students had great kicks.
3) Other teachers were great at 'passing' the
knife ... and their students seemed able
to guide the knife to the side as well.
What was really interesting was that the kickers couldn't
pass, and the passers couldn't kick. Hmmm.
I think Steve Golden noticed this too.
So, he broke the exercise into two parts -- the passing
and the kicking. He had us practice the kicking first.
We practiced demolishing three targets -- the knee, the
groin, and the stomach.
And we practiced that kick from a 'stepping-in' distance.
Then we worked on the proper timing to get an attacker
to really commit to the thrust with the knife.
And we passed it.
Then we put the two moves back together.
After eliminating the teachers' bias (weakness?), we
had a very strong technique. And all of the teachers'
students now had a well-rounded technique.
We relished getting our attackers to thrust with the
knives as we blasted through their midsections.
Conclusion:
One way to avoid this bias, is to put equal emphasis on
all the moves of a sequence. Don't just rush through
the beginning of the sequence to get to your devastating
move at the end.
Neither should you emphasize the entry moves, only to
follow with an 'anemic' strike or kick.
You may e-mail me with your questions through this publisher:
(bookinfo@kerwinbenson.com)
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